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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

1951 Items

February 22, 1877 | graphite on paper

Silver Spring, Florida

1879 | printing ink on paper

Print E: On the Newark Meadows

1888 | brown printing ink on paper

Print C: Landscape after Rousseau

1884 | printing ink on paper

Print B: Hook Pond, East Hampton

1887 | printing ink on paper

Print E: A Florida Forest

1886 | printing ink on paper

Print A: The Edge of the Forest

1882 | printing ink on paper

Print J: Conwy Castle

1880 | printing ink on paper

Print A: Three Mile Harbor

1879 | printing ink on paper

Print J: East Hampton Barrens

1881 | printing ink on paper

Print A: Arched Stone Bridge over the Bushkill

1881 | printing ink on paper

Print I: Study of Scrub Oaks, Amagansett

late 19th century | graphite on paper

Sketchbook late 19th century: Bridge Landscape

late 19th century | graphite on paper

Sketchbook late 19th century: Landscape

1873 | graphite on paper

Sketchbook 1873: Village on River with Falls

January 4, 1925 | ink on paper

1 page handwritten letter and envelope from J. C. McClintock, Topeka, Kansas, to Thomas Moran about a possible visit to Moran

circa 1934 | off-set lithograph adhered to a poster with printing ink

The Grand Canal, Venice

1882 | printing ink on paper

Street in Harpers Ferry

circa 1881 | printing ink on paper

The Rapids below Lower Suspension Bridge, Niagara

1903 | graphite on paper

Sketchbook 1903 - 1904: Cortés Palace, Cuernavaca, Mexico

1907 | white gouache and pencil on newsprint

The Student - Metamorphosis