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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

1951 Items

late 19th century | graphite on paper

High Weeds

1879 | printing ink on paper

Print C: On the Newark Meadows

1888 | brown printing ink on paper

Print B: Landscape after Rousseau

1884 | printing ink on paper

Print A: Hook Pond, East Hampton

1887 | printing ink on paper

Print D: A Florida Forest

1886 | brown printing ink on paper

Print C: The Bathers

1882 | printing ink on paper

Print I: Conwy Castle

1879 | printing ink on paper

Print D: Bridge over the Bushkill, Easton, Pa.

1879 | printing ink on paper

Print I: East Hampton Barrens

1881 | printing ink on paper

Print I: In the Sandhills

1881 | brown printing ink on paper

Print H: Study of Scrub Oaks, Amagansett

late 19th century | graphite on paper

Sketchbook late 19th century: 4 Landscapes

late 19th century | graphite, wash and white chalk on paper

Sketchbook late 19th century: Duffer No. 2 (Tree & Fence) Duffer No. 1 (2 Trees)

August 6, 1873 | graphite on paper

Sketchbook 1873: Slate Falls

1908 | gelatin silver process

Two photographs of Thomas Moran's painting, “Rocky Shore" also known as "Returning Waves"

December 1, 1879 - 1882 | ink on paper

18-page handwritten, partial inventory of Thomas Moran's artworks on hand on December 1, 1879, with 7-page typed transcription

1877 | printing ink on paper

The Chin Chan above Its Juncture with the Rimac

1872 | printing ink on paper

Waterfalls with Cogwheel

May 6, 1886 | graphite and conte crayon on wove paper

Sketchbook 1886 - 1888: Venice

1907 | white gouache and pencil on newsprint

The Fan - Metamorphosis