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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

1951 Items

1888 | printing ink on paper

Print H: The Haunted House, East Hampton

1880 | printing ink on paper

Print A: Sandy Paths, East Hampton

1879 | brown printing ink on paper

Print D: East Hampton Barrens

1881 | printing ink on paper

Print D: In the Sandhills

1881 | printing ink on paper

Print C: Study of Scrub Oaks, Amagansett

1881 | printing ink on silk fabric

Print I: Evening, East Hampton, L.I.

October 12, 1869 | graphite on paper

Sketchbook late 19th century: Trees & Building

1884 | printing ink on paper

Print F: The Montauk Hills, L.I.

August 11, 1874 | ink on paper

Typed transcription of original handwritten letter from Thomas Moran to his wife, Mary Nimmo, written while on the Platte River

late-19th century - early 20th century | printing ink on paper

St. Johns River, Florida

1882 | printing ink on paper

On Cranberry Grade

late-19th century - early 20th century | ink and gouache on paper

Specters from the North

1907 | white gouache and pencil on newsprint

Miss Florence B. Schmieg - Metamorphosis

1879 - 1918 | ink and pencil on paper

20 page typed transcription of an inventory of Thomas Moran's paintings in his possession 1899-1918 with original edits by Ruth Bedford Moran and later edits by Anne Morand

late-19th century - early 20th century | ink on paperboard, heightened with white gouache

Soda Spring Dome

1880 | graphite on paper

East Hampton

April 3, 1910 | graphite on tissue

Brixham

mid-19th century - early 20th century | graphite on tracing paper

Country Landscape

late-19th century - early 20th century | graphite on paper

Chilnualna, below the Fall

1865 | graphite on paper

Landscape