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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

1951 Items

1888 | copper

Copper plate for 'Southampton, Village and Pond with Cows'

1886 | printing ink on paper

Print M: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1885 | copper

Copper plate for 'Niagara - From the Canadian Side'

1903 | graphite on paper

Sketchbook 1903 - 1904: Wall of La Borda

1886 | graphite on paper

Sketchbook 1886 - 1888: Entrance to Grand Canal, Venice

April 16, 1903 | graphite on paper

Sketchbook 1903 - 1904: Albuquerque

1888 | copper

Copper plate for 'The Haunted House, East Hampton'

1886 | printing ink on paper

Print N: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1900 | printing ink on paper

Ulysses and the Sirens

1887 | printing ink on paper

Print E: Venice after Bunner

1886 | graphite on paper

Sketchbook 1886 - 1888: Venice

1904 | graphite on paper

Sketchbook 1903 - 1904: Moonlight, Grand Canyon

1887 | copper

Copper plate for 'A Florida Forest'

1886 | printing ink on paper

Print O: Where through the Willows Creaking Loud, Is Heard the Busy Mill

mid-19th century - early 20th century | oil on board

Untitled Landscape

1887 | brown printing ink on paper

Print G: Venice after Bunner

1886 | graphite on paper

Sketchbook 1886 - 1888: Venice

1904 | graphite on paper

Sketchbook 1903 - 1904: Grand Canyon

1887 | copper

Copper plate for 'The Borders of Lake Isabel - Florida'

1886 | printing ink on paper

Print P: Where through the Willows Creaking Loud, Is Heard the Busy Mill