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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

1951 Items

1886 | printing ink on paper

Print N: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1900 | printing ink on paper

Ulysses and the Sirens

1887 | printing ink on paper

Print E: Venice after Bunner

1886 | graphite on paper

Sketchbook 1886 - 1888: Venice

1904 | graphite on paper

Sketchbook 1903 - 1904: Moonlight, Grand Canyon

1887 | copper

Copper plate for 'A Florida Forest'

1886 | printing ink on paper

Print O: Where through the Willows Creaking Loud, Is Heard the Busy Mill

mid-19th century - early 20th century | oil on board

Untitled Landscape

1887 | brown printing ink on paper

Print G: Venice after Bunner

1886 | graphite on paper

Sketchbook 1886 - 1888: Venice

1904 | graphite on paper

Sketchbook 1903 - 1904: Grand Canyon

1887 | copper

Copper plate for 'The Borders of Lake Isabel - Florida'

1886 | printing ink on paper

Print P: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1883 | printing ink on paper

Sunrise - The Pond, East Hampton, L.I.

1886 | printing ink on paper

Print A: 'The Much Resounding Sea'

1888 | graphite on paper

Sketchbook 1886 - 1888: Long Island

1904 | graphite on paper

Sketchbook 1903 - 1904: Grand Canyon

1887 | copper

Copper plate for 'Point Isabel, Florida'

1887 | printing ink on paper

Print B: Under the Oaks, Georgica Pond

1888 | printing ink on paper

Print A: The Gate of Venice