 |
Afternoon Wrap of Lace and Moleskin - Metamorphosis |
Thomas Moran |
American |
19.3 |
white gouache and pencil on newsprint |
 |
Finger woven sash in red, green, and purple with white beading on a blue border and fringe |
Unidentified |
Native American; Osage |
84.1887 |
wool, glass |
 |
Finger woven sash with fringe and red, white, green, and royal blue border with white beading and an arrow design |
Unidentified |
Native American; possibly Osage |
84.1886 |
wool, glass |
 |
Soft soled leather moccasins with quill work in a floral and geometric pattern on the cuff and vamp of the shoe |
|
Native American; possibly Huron |
84.274a-b |
leather, quills, cotton cloth, cotton string, natural dyes |
 |
Victorian silver peace medal |
|
European |
65.52 |
silver |
 |
For John Ridge |
Kay WalkingStick |
Native American; Cherokee |
01.2528 |
acrylic, ink and saponifed wax on canvas |
 |
The Stretch |
Willard Stone |
Native American; Cherokee descent |
13.340 |
graphite on paper |
 |
Navajo rug with fringe |
|
Native American; Navajo (Diné) |
97.118 |
wool, natural and aniline dye |
 |
Men’s beaded leather moccasins with white beaded field with a line of green beading and geometric patterns around perimeter |
Unidentified |
Native American; Cheyenne |
84.329a-b |
commercial leather, glass, cotton |
 |
Woman's beaded moccasins with geometric designs and interior parfleche soles |
Unidentified |
Native American; Cheyenne |
84.400a-b |
semi-tanned hide, rawhide with hair, glass, sinew (pigment from a previous use of rawhide not part of the mocassin design) |
