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Exhibition Browse: Creating the Modern Southwest

By any historic measure, the American Southwest is an ancient place. A crossroads of cultures and languages for centuries, the region stretching from western Texas to southern California contains the oldest continually inhabited communities in the United States. In rounded adobe architecture and weathered Spanish churches, layers of stone and earth plaster mark the deep passage of time. Yet beginning in the early 20th century, the region held a magnetic pull for contemporary artists experimenting with innovative ideas in American art.

In the late 19th century, many American artists studied in Paris when French painters were working with new impressionist styles, abandoning precise realism in favor of quick brushstrokes and vivid colors to convey the moods of contemporary life. In 1903, European modernism burst upon the American art scene with the opening of the International Exhibition of Modern Art at the 69th Regiment Armory in New York, known today as the “Armory Shows.” This exhibition, organized by the Association of American Painters and Sculptors, was the first large-scale display of modern art in the United States. Americans accustomed to realist, academic paintings were astonished by the bold colors of Henri Matisse, the expressive lines of Vincent van Gogh, and the fractured geometric patterns of Marchel Duchamp.

Soon, American artists began blending the influences of European modernism with the distinct scenery and unique blend of cultures found in the southwestern United States. When the modern painter Georgia O’Keefe first traveled from New York to New Mexico in 1917, the brilliant clear skies and stark landscape of the Southwest captivated her like nothing before. On a dusty train ride through Santa Fe, she found her calling. “All the earth colors of the painter’s palette are out there in the many miles of bad lands,” O’Keefe later described, “those hills – our waste land – I think it our most beautiful country.”

In artworks with bold colors, reduced shapes, and expressive geometric patterns, the exhibition, Creating the Modern Southwest (October 16, 2016 - ongoing), reveals the modern art influences on the American Southwest with works from the Gilcrease permanent collection.

By Laura F. Fry, Senior Curator and Curator of Art, Gilcrease Museum, 2016. 

Image Title Creator Culture Accession # Materials/Techniques
Old Town, San Diego Nicolai Ivanovich Fechin Russian 01.532 oil on canvas
Indian Art by the Highway John Sloan American 01.568 oil on board
Sheep Cascade Ila Mae McAfee American 01.566 oil on canvas
The Blue Pool Fremont F. Ellis American 01.1136 oil on canvas
Taos Garden- Phillips Patio Bert Geer Phillips American 01.529 oil on wood panel
Moonlight 44/50 Alexandre Hogue American 14.291 lithograph on paper
White Shadows - Among the Navajos Oscar Brousse Jacobson American (Swedish born) 01.2535 oil on canvas
Mojave Desert Ernest Leonard Blumenschein American 01.547 oil on canvas
Taos Plaza Walter Ufer American 01.550 oil on canvas
Gregorita, Indian of Santa Clara Robert Henri American 01.570 oil on canvas
The Race Victor Higgins American 01.2424 oil on canvas
Zuni Dancer Joe Hilario Herrera Native American; Cochiti 02.85 tempera on paper
Forest Scene Pop Chalee Native American; Taos Pueblo 02.527 tempera on paper
Self Portrait Ernest Leonard Blumenschein American 02.784 gouache and ink on paper
Moon, Morning Star and Evening Star Ernest Leonard Blumenschein American 01.2192 oil on canvas