Tags: vegetation
| Image | Title | Creator | Culture | Accession # | Materials/Techniques |
|---|---|---|---|---|---|
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Father De Smet's First Meeting with the Flathead Indians | Charles Marion Russell | American | 01.1623 | oil on canvas |
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Pleasant Was the Journey Homeward | Thomas Moran | American | 02.932 | graphite and wash on paper |
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Branding Scene | Charles Marion Russell | American | 02.1315 | ink wash on paper |
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Wagon Boss | Charles Marion Russell | American | 01.900 | oil on canvas |
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Fresh Pond | Thomas Moran | American | 02.943 | graphite on paper, heightened with white gouache |
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Better than Bacon | Charles Marion Russell | American | 02.1318 | watercolor on paperboard |
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The Attack on the Wagon Train | Charles Marion Russell | American | 01.902 | oil on canvas |
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Innocent Allies | Charles Marion Russell | American | 01.2324 | oil on canvas |
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The Last Stand | Charles Marion Russell | American | 02.1320 | watercolor on paperboard |
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Pay Dirt | Charles Marion Russell | American | 01.901 | oil on canvas |
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Meat's Not Meat 'Till it’s in the Pan | Charles Marion Russell | American | 01.2244 | oil on canvas on board |
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Woman Fetching Water | Charles Marion Russell | American | 02.1449 | watercolor on paperboard |
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Where Tracks Spell War or Meat | Charles Marion Russell | American | 01.904 | oil on canvas |
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Vegetation | William Robinson Leigh | American | 01.969 | oil on canvas board |
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Meat Makes Fighters | Charles Marion Russell | American | 02.1324 | watercolor on paperboard |
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When Guns Were Their Passports | Charles Marion Russell | American | 01.912 | oil on canvas |
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Vegetation | William Robinson Leigh | American | 01.117 | oil on canvas board |
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A Loose Cinch | Charles Marion Russell | American | 02.1481 | watercolor on paperboard |
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Gunpowder and Arrows | Charles Marion Russell | American | 02.1446 | watercolor on paper |
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Vegetation | William Robinson Leigh | American | 01.164 | oil on canvas board |