 |
Venice |
Thomas Moran |
American |
02.893 |
wash and graphite on paper |
 |
San Juan de Ulúa, Veracruz |
Thomas Moran |
American |
02.826 |
watercolor, gouache and graphite on paper |
 |
Shakespeare Cliff, Dover |
Thomas Moran |
American |
02.840 |
graphite and white chalk on paper |
 |
Hastings |
Thomas Moran |
American |
02.838 |
graphite with watercolor and white gouache on paper |
 |
Havanna |
Thomas Moran |
American |
02.825 |
watercolor and graphite on paper |
 |
Richmond |
Thomas Moran |
American |
02.802 |
graphite and wash on paper |
 |
Print E: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72e |
printing ink on paper |
 |
Print F: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72f |
printing ink on paper |
 |
Print G: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72g |
printing ink on paper |
 |
Copper plate for 'Looking Seaward, Long Lane, East Hampton' |
Mary Nimmo Moran |
American |
19.75 |
copper |
 |
Keel Boat Loaded with Furs |
Charles Banks Wilson |
American |
13.2173 |
ink and pen on paper |
 |
A Composition. Bay of Naples |
Thomas Moran |
American |
14.457 |
printing ink on paper |
 |
The Coming of the Paleface |
Thomas Moran |
American |
02.913 |
graphite and wash with ink on paper |
 |
Gardiner Bay |
Thomas Moran |
American |
02.936 |
graphite on paper, heightened with white gouache |
 |
The Resounding Sea |
Thomas Moran |
American |
14.427 |
printing ink on paper |
