 |
Branding Scene |
Charles Marion Russell |
American |
02.1315 |
ink wash on paper |
 |
Through the Alkali |
Charles Marion Russell |
American |
01.903 |
oil on canvas |
 |
Pencil drawings |
|
American |
TU2009.39.4908 |
paper |
 |
Better than Bacon |
Charles Marion Russell |
American |
02.1318 |
watercolor on paperboard |
 |
Jerked Down |
Charles Marion Russell |
American |
01.2246 |
oil on canvas |
 |
Books and Their Makers |
|
American |
TU2009.39.5093 |
paper |
 |
Will Rogers |
Charles Marion Russell, Roman Bronze Works |
American |
08.24 |
lost-wax cast in bronze |
 |
The Attack |
W. Richard West |
Native American; Southern Cheyenne |
02.524 |
tempera on paper |
 |
Portrait of Charles M. Russell on modern photo paper |
Unidentified |
American |
TU2009.39.257.13b |
gelatin silver process |
 |
Where the Best of Riders Quit |
Charles Marion Russell, Roman Bronze Works |
American |
08.32 |
lost-wax cast in bronze |
 |
Carson's Men |
Charles Marion Russell |
American |
01.2245 |
oil on canvas |
 |
Lassoing a Grizzley Bear |
John Ross Browne |
|
02.710 |
ink wash and pen on paper |
 |
Charles M. Russell and Jack Russell on a horse |
Unidentified |
American |
TU2009.39.256.1 |
gelatin silver process |
 |
Meat Makes Fighters |
Charles Marion Russell |
American |
02.1324 |
watercolor on paperboard |
 |
Medicine Whip |
Charles Marion Russell, 1864–1926 (Artist) |
American |
08.14 |
sand cast in bronze |
 |
The Landing of Roger Williams at Slate Rock |
Charles Hitchcock |
|
01.1513 |
oil on canvas |
 |
A Loose Cinch |
Charles Marion Russell |
American |
02.1481 |
watercolor on paperboard |
 |
The End of the Rope |
Charles Marion Russell |
American |
TU2009.39.6485a |
gelatin silver process |
