 |
The End of the Rope |
Charles Marion Russell |
American |
TU2009.39.6485a |
gelatin silver process |
 |
A light tan woven lasso |
|
American |
TU2009.39.132 |
cotton, iron, |
 |
The Getaway |
Charles Marion Russell |
American |
02.1482 |
watercolor on paperboard |
 |
Innocent Allies |
Charles Marion Russell |
American |
01.2324 |
oil on canvas |
 |
Dark brown woven lariat with a light brown leather strap |
|
American |
TU2009.39.133 |
rawhide, leather |
 |
Hooverizing |
Charles Marion Russell |
American |
02.1321 |
watercolor on paperboard |
 |
Any Summer Afternoon |
Charles Banks Wilson, Frankie Van Johnson |
American |
01.2465 |
acrylic or oil on canvas |
 |
Small round-based metal stirrup with twisted ropelike decoration |
|
American |
TU2009.39.191 |
metal |
 |
Where Tracks Spell Meat |
Charles Marion Russell |
American |
01.914 |
oil on canvas |
 |
Asleep in the Horse Barn |
Charles Banks Wilson, Frankie Van Johnson |
American |
13.2152 |
pen and ink on paper |
 |
Light tan rope bound together |
|
American |
TU2009.39.212 |
maguey |
 |
The Strenuous Life |
Charles Marion Russell |
American |
01.908 |
oil on canvas |
 |
Foul Rope |
William Robinson Leigh |
American |
14.130a |
etching on paper |
 |
A brown leather woven rope/lariat |
|
American |
TU2009.39.83 |
leather |
 |
The Bell Mare |
Charles Marion Russell |
American |
01.2242 |
oil paint on beaver board |
 |
A Typical Boomer Family |
William S. Prettyman |
|
4527.85.17 |
|
 |
Nathan Hale |
Frederick William MacMonnies |
American |
08.2 |
bronze |
 |
Wagon Boss |
Charles Marion Russell |
American |
01.900 |
oil on canvas |
 |
Ponies |
William Robinson Leigh |
American |
01.197 |
oil and pencil on canvas board |
 |
Nawth Gawgia |
Merritt Thomas Mauzey |
American |
14.26 |
lithograph on paper |
