Tags: light
| Image | Title | Creator | Culture | Accession # | Materials/Techniques |
|---|---|---|---|---|---|
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The Great Mystery | Joseph Henry Sharp | American | 01.325 | oil on canvas |
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Saturday Night (1920's) | Oscar Edmund Berninghaus | American | 01.2060 | oil on canvas |
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Paty O'Hair Mountains | William Robinson Leigh | American | 01.958 | oil on canvas board |
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The Bell Mare | Frederic Remington | American | 01.2327 | oil on canvas |
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Nocturne, The Solent | James Abbott McNeill Whistler | American | 01.1185 | oil on canvas |
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Canyon de Chelly, Arizona Navajo | William Robinson Leigh | American | 01.962 | oil on canvas |
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Beaded strike-a-light bag with leather fringe on the flap and on the bottom of the bag | Unidentified | Native American; possibly Cheyenne or Comanche | 84.672 | hide, glass |
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The Head Man | Charles Marion Russell | American | 01.1619 | oil on canvas |
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Kent Falls (lower section) | William Robinson Leigh | American | 01.920 | oil on canvas |
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The Storyteller | Charles Marion Russell | American | 02.1410 | watercolor on paperboard |
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Rawhide Creek, Wyoming | William Robinson Leigh | American | 01.1066 | oil on canvas board |
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Salute of the Robe Trade | Charles Marion Russell | American | 01.1625 | oil on canvas |
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Rawhide Creek | William Robinson Leigh | American | 01.1075 | oil on canvas board |
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Watching for Wagons | Charles Marion Russell | American | 01.1620 | oil on canvas |
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Fallen Timber | William Robinson Leigh | American | 01.1076 | oil on canvas board |
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When Guns Were Their Passports | Charles Marion Russell | American | 01.912 | oil on canvas |
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Afterglow over Zuni River | William Robinson Leigh | American | 01.629 | oil on canvas board |
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The Rainbow Bridge | William Robinson Leigh | American | 01.937 | oil on canvas board |
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Carson's Men | Charles Marion Russell | American | 01.2245 | oil on canvas |