 |
Salute of the Robe Trade |
Charles Marion Russell |
American |
01.1625 |
oil on canvas |
 |
Rawhide Creek |
William Robinson Leigh |
American |
01.1075 |
oil on canvas board |
 |
Watching for Wagons |
Charles Marion Russell |
American |
01.1620 |
oil on canvas |
 |
Fallen Timber |
William Robinson Leigh |
American |
01.1076 |
oil on canvas board |
 |
When Guns Were Their Passports |
Charles Marion Russell |
American |
01.912 |
oil on canvas |
 |
Afterglow over Zuni River |
William Robinson Leigh |
American |
01.629 |
oil on canvas board |
 |
Carson's Men |
Charles Marion Russell |
American |
01.2245 |
oil on canvas |
 |
The Rainbow Bridge |
William Robinson Leigh |
American |
01.937 |
oil on canvas board |
 |
Estampas del Popol-Vuh: Page 5 |
Carlos Mérida, Talleres Graficos de la Nacion, Graphic Art Publications |
Guatemalan |
17.6.8 |
lithograph on paper |
 |
Bad Lands at Night 1910 |
William Robinson Leigh |
American |
01.720 |
oil on board |
 |
The Master of Life, Hiawatha |
Thomas Moran |
American |
02.902 |
graphite and wash on paper |
 |
Desert |
William Robinson Leigh |
American |
01.975 |
oil on canvas board |
 |
Nokomis Falling from the Moon, Hiawatha |
Thomas Moran |
American |
02.903 |
graphite and wash with white gouache on paper |
 |
Wapiti, Wyoming |
William Robinson Leigh |
American |
01.940 |
oil on canvas board |
 |
Death of Minnehaha |
Thomas Moran |
American |
02.917 |
graphite and wash on paper |
 |
The Rainbow Bridge |
William Robinson Leigh |
American |
01.982 |
oil on canvas board |
 |
Men in Mexico |
Unidentified |
American |
TU2009.39.7555a-b |
gelatin silver process |
 |
Pleasant Was the Journey Homeward |
Thomas Moran |
American |
02.932 |
graphite and wash on paper |
 |
La Anunciación del Nahual |
José Chávez Morado |
Mexican |
01.2021 |
oil on canvas |
 |
Flower market |
Unidentified |
American |
TU2009.39.7556a-b |
gelatin silver process |
