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Print A: An East Hampton Fire-Place |
Thomas Moran |
American |
14.413a |
brown printing ink on paper |
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Arundel Town and Castle |
Thomas Moran |
American |
13.906 |
graphite on paper |
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Fort George Island |
Thomas Moran |
American |
02.792 |
watercolor and graphite on paper |
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Man and Wolf |
Woodrow Wilson Crumbo |
Native American; Citizen Potawatomi |
02.481 |
tempera on paper |
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Watching over Her Flocks |
Quincy Tahoma |
Native American; Navajo (Diné) |
02.269 |
tempera on paper |
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Seated Man |
Monroe Tsatoke |
Native American; Kiowa |
02.449 |
tempera on paper |
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The Flight into Egypt |
Thomas Moran |
American |
02.875 |
wash and graphite with white gouache on paper |
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In Little Cottonwood Canyon |
Thomas Moran |
American |
02.887 |
watercolor and graphite on paper |
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Treescape |
Woody Big Bow, January 29, 1915–July 10, 1988 (Artist) |
Native American; Kiowa |
01.2488 |
oil on paper |
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Navajo Shepherdess |
Harrison Begay |
Native American; Navajo (Diné) |
02.499 |
tempera on paper |
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New York from Hoboken |
Thomas Moran |
American |
13.983 |
graphite on paper |
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How the Boy Medicine Came to the Kiowas |
Jimalee Chitwood Burton |
Native American; Cherokee |
01.1938 |
oil on board |
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Forest Scene |
Pop Chalee |
Native American; Taos Pueblo |
02.527 |
tempera on paper |
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Buttes, Green River, Wyoming |
Thomas Moran |
American |
02.898 |
watercolor and graphite on paper |
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Three Antelopes |
Jose Rey Toledo |
Native American; Jemez |
02.295 |
tempera on matboard |
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Colt |
Woodrow Wilson Crumbo |
Native American; Citizen Potawatomi |
13.299 |
ink on paper |
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Street Scene with Carriage |
Thomas Moran |
American |
14.329 |
printing ink on paper |
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On Market Day |
Quincy Tahoma |
Native American; Navajo (Diné) |
02.350 |
tempera on board |
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Third Lake, Madison, Wisconsin |
Thomas Moran |
American |
02.939 |
graphite and wash with white gouache and watercolor on paper |
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White Swan muslin cutting |
White Swan |
Native American; Apsáalooke (Crow) |
02.589 |
watercolor, ink and graphite on muslin |
