 |
Hopi Village, Arizona |
Thomas Moran |
American |
01.1116 |
oil on panel |
 |
A Southerly Wind, East Hampton |
Thomas Moran |
American |
14.397 |
dark brown printing ink on paper |
 |
Dark brown woven lariat with a light brown leather strap |
|
American |
TU2009.39.133 |
rawhide, leather |
 |
Arundel Town and Castle |
Thomas Moran |
American |
13.906 |
graphite on paper |
 |
Springville Cañon |
Thomas Moran, J. Augustus Bogert |
American |
15.449 |
printing ink on paper |
 |
New York from Hoboken |
Thomas Moran |
American |
13.983 |
graphite on paper |
 |
Upper End of Cottonwood Canyon |
Thomas Moran |
American |
02.884 |
watercolor and graphite with white gouache on paper |
 |
The Departure |
Thomas Moran |
American |
02.915 |
graphite and wash with ink on paper |
 |
California Landscape |
Thomas Moran |
American |
01.2348 |
oil on canvas |
 |
The Resounding Sea |
Thomas Moran |
American |
14.427 |
printing ink on paper |
 |
Can of gray "Modello" modeling clay |
|
American |
TU2009.39.61 |
Tinned iron, paper, textile, modeling compound |
 |
The Peak of Orizaba from Esperanza |
Thomas Moran |
American |
02.827 |
watercolor and graphite with white gouache on paper |
 |
Estampas del Popol-Vuh: Plate 8 |
Carlos Mérida, Talleres Graficos de la Nacion, Graphic Art Publications |
Guatemalan |
17.6.13 |
color lithograph on paper |
 |
Hermit Chasm, Grand Canyon |
Thomas Moran |
American |
13.864 |
graphite on paper |
 |
Green River Buttes, Wyoming |
Thomas Moran |
American |
02.885 |
watercolor and graphite with white gouache on paper |
 |
Return from the Hunt |
Thomas Moran |
American |
02.916 |
graphite and wash on paper |
 |
Cabeza de Indio |
Diego Rivera |
Mexican |
01.2022 |
oil on masonite |
 |
The Flight into Egypt |
Thomas Moran |
American |
14.456 |
silver and palladium |
 |
Dempsey and Firpo |
George Wesley Bellows |
American |
14.466 |
lithograph on paper |
 |
The Flight into Egypt |
Thomas Moran |
American |
02.875 |
wash and graphite with white gouache on paper |
