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A Composition. Bay of Naples |
Thomas Moran |
American |
14.457 |
printing ink on paper |
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California Landscape |
Thomas Moran |
American |
01.2348 |
oil on canvas |
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The Resounding Sea |
Thomas Moran |
American |
14.427 |
printing ink on paper |
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Can of gray "Modello" modeling clay |
|
American |
TU2009.39.61 |
Tinned iron, paper, textile, modeling compound |
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The Peak of Orizaba from Esperanza |
Thomas Moran |
American |
02.827 |
watercolor and graphite with white gouache on paper |
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Estampas del Popol-Vuh: Plate 8 |
Carlos Mérida, Talleres Graficos de la Nacion, Graphic Art Publications |
Guatemalan |
17.6.13 |
color lithograph on paper |
 |
New York from Hoboken |
Thomas Moran |
American |
13.983 |
graphite on paper |
 |
Upper End of Cottonwood Canyon |
Thomas Moran |
American |
02.884 |
watercolor and graphite with white gouache on paper |
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The Departure |
Thomas Moran |
American |
02.915 |
graphite and wash with ink on paper |
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Cabeza de Indio |
Diego Rivera |
Mexican |
01.2022 |
oil on masonite |
 |
The Flight into Egypt |
Thomas Moran |
American |
14.456 |
silver and palladium |
 |
Dempsey and Firpo |
George Wesley Bellows |
American |
14.466 |
lithograph on paper |
 |
The Flight into Egypt |
Thomas Moran |
American |
02.875 |
wash and graphite with white gouache on paper |
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Print H: Port Madoc - Wales |
Thomas Moran |
American |
14.404h |
printing ink on paper |
 |
Hermit Chasm, Grand Canyon |
Thomas Moran |
American |
13.864 |
graphite on paper |
 |
Green River Buttes, Wyoming |
Thomas Moran |
American |
02.885 |
watercolor and graphite with white gouache on paper |
 |
Return from the Hunt |
Thomas Moran |
American |
02.916 |
graphite and wash on paper |
 |
How the Boy Medicine Came to the Kiowas |
Jimalee Chitwood Burton |
Native American; Cherokee |
01.1938 |
oil on board |
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On the Susquehanna |
Thomas Moran |
American |
14.638 |
printing ink on paper |
 |
Choctaw Ball Player |
C. Terry Saul |
Native American; Choctaw, Chickasaw |
01.2097 |
casein on masonite |
