 |
Springtime, Taos |
Bert Geer Phillips |
American |
01.530 |
oil on canvas |
 |
Road Thru the Wall |
Dawson-Watson |
British |
01.555 |
oil on canvas |
 |
Mustang Breaking |
Beatien Yazz |
Native American; Navajo (Diné) |
02.1748 |
tempera on paper |
 |
Rent Contract between J. L. McCorkle, J. R. Williams and S. C. Stallcup for 166 acres of land |
|
Native American, Cherokee |
4026.3085 |
ink on paper |
 |
Print F: Evening, East Hampton, L.I. |
Mary Nimmo Moran |
American |
14.82f |
printing ink on paper |
 |
Print B: A Rustic Bridge |
Thomas Moran |
American |
14.408b |
printing ink on paper |
 |
Print C: A Rustic Bridge |
Thomas Moran |
American |
14.408c |
printing ink on paper |
 |
Series of Prints: A Rustic Bridge |
Thomas Moran |
American |
14.408a-c |
printing ink on paper |
 |
Series of Prints: Looking Over the Sand Dunes - East Hampton |
Thomas Moran |
American |
14.402a-j |
printing ink on paper |
 |
Series of Prints: In the Sandhills |
Mary Nimmo Moran |
American |
14.85a-j |
printing ink on paper |
 |
Dwight Mission near Marble City 1820 |
Vinson Lackey |
American |
01.1434 |
oil on canvas |
 |
A Study of Willows |
Thomas Moran |
American |
14.401 |
brown printing ink on paper |
 |
Old Cherokee Agency near Menard, Early 1830 |
Vinson Lackey |
American |
01.1366 |
oil on canvas board |
 |
Print F: Looking Over the Sand Dunes - East Hampton |
Thomas Moran |
American |
14.402f |
printing ink on paper |
 |
Rural Courtship |
Daniel Ridgway Knight |
American |
01.2352 |
oil on canvas |
 |
Hills of Lyme |
Guy Carleton Wiggins |
American |
01.569 |
oil on canvas |
 |
Woman Standing by Fence |
Unidentified |
American |
TU2009.39.7649.165 |
gelatin silver process |
 |
Tipis and tents set up in a camp on the prairie |
Unidentified |
American |
TU2009.39.258.18a-b |
gelatin silver process |
 |
Buffalo |
Unidentified |
American |
TU2009.39.7504a-b |
gelatin silver process |
 |
The Bronco Buster |
Olaf Carl Seltzer |
American |
01.808 |
oil on board |
