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Print A: The Gate of Venice |
Thomas Moran |
American |
14.446a |
printing ink on paper |
 |
Copper plate for 'The Haunted House, East Hampton' |
Mary Nimmo Moran |
American |
19.71 |
copper |
 |
Print B: The Gate of Venice |
Thomas Moran |
American |
14.446b |
brown printing ink on paper |
 |
Copper plate for 'Point Isabel, Florida' |
Mary Nimmo Moran |
American |
19.74 |
copper |
 |
Print C: The Gate of Venice |
Thomas Moran |
American |
14.446c |
brown printing ink on paper |
 |
Ojibway Indians Catching White Fish |
George Catlin |
American |
01.2122 |
oil on canvas |
 |
Out of the Silence |
George de Forest Brush |
American |
01.2256 |
oil on board |
 |
Portneuf Canyon |
Thomas Moran |
American |
02.851 |
watercolor and graphite with white gouache on paper |
 |
Morelia, Mexico |
Thomas Moran |
American |
02.824 |
watercolor and graphite with white gouache on paper |
 |
Design for a picture |
Thomas Moran |
American |
02.852 |
watercolor over graphite on paper, heightened with gouache |
 |
Allegheny Mountains, Tunnel near the Source of the Potomac |
Thomas Moran |
American |
02.791 |
graphite and wash on paper |
 |
Island Seascape after Turner |
Thomas Moran, Joseph Mallord William Turner |
American |
02.797 |
watercolor and graphite with gouache on paper |
 |
Hiawatha and the Great Sea Serpent |
Thomas Moran |
American |
01.1115 |
oil on paper mounted on canvas |
 |
Desolacion [Desolation] |
Raúl Anguiano |
Mexican |
01.2017 |
oil on canvas |
 |
Fort at Quebec |
Charles Banks Wilson |
American |
13.2186 |
ink on paper |
 |
Orbis Terrarum Nova et Accuratissima Tabula |
Pieter Goos |
|
3926.168 |
|
 |
El Éxodo |
Gustavo Savin |
Mexican |
01.2025 |
oil on canvas |
 |
Laundry Day |
Jesús Guerrero Galván |
Mexican |
02.996 |
watercolor |
 |
Wapiti, Wyoming |
William Robinson Leigh |
American |
01.996 |
oil on canvas board |
 |
Thunderbird and Elements |
Acee Blue Eagle |
Native American; Muscogee (Creek), Pawnee |
02.581 |
tempera on paper |
