 |
Morelia, Mexico |
Thomas Moran |
American |
02.824 |
watercolor and graphite with white gouache on paper |
 |
Movie poster advertising 101 Ranch's Bill Pickett in "The Bull-Dogger" |
Unidentified |
American |
16.963 |
|
 |
Fort at Quebec |
Charles Banks Wilson |
American |
13.2186 |
ink on paper |
 |
Feria |
Mariano Paredes |
Mexican |
01.2010 |
oil on board |
 |
Soledad |
John Ross Browne |
American |
02.714 |
ink and ink wash on paper |
 |
New Furnaces |
John Ross Browne |
American |
02.722 |
wash on paper |
 |
Fort Dearborn (Chicago, Ill.) |
Alfred Sully |
American |
02.1334 |
watercolor |
 |
Fort Ridgely (1855, Minnesota) |
Alfred Sully |
American |
02.1338 |
watercolor |
 |
San Jose de Flores |
Edward Meyer Kern |
American |
02.733 |
wash on paper |
 |
Camp Prescott, Gen Crook's Camp, Arizona |
Vincent Colyer |
American |
02.1381 |
watercolor |
 |
Col Greens' Headquarters, White Mt Reservation Arizona |
Vincent Colyer |
American |
02.1380 |
watercolor |
 |
Horse sale |
Charles Banks Wilson |
American |
13.2146 |
graphite and ink on paper |
 |
Trading Post |
Charles Banks Wilson |
American |
13.2171 |
ink and pen on paper |
 |
A Parting Gift |
Charles Banks Wilson |
American |
13.2182 |
ink and pen on paper |
 |
Battle plan to attack Iroquois village |
Charles Banks Wilson |
American |
13.2192 |
ink on paper |
 |
Setting Sail |
Charles Banks Wilson |
American |
13.2199 |
ink and pen on paper |
 |
Laguna |
William Robinson Leigh |
American |
01.2234 |
oil on canvas board |
 |
Blackfeet Sun Dance, Medicine Lodge |
Joseph Henry Sharp |
American |
01.32 |
oil on paperboard |
 |
Fort Reno Ledger Drawing |
Unidentified |
Native American; Arapaho, Cheyenne |
4526.11.60 |
|
 |
Print I: Church of San Juan - New Mexico |
Thomas Moran |
American |
14.439i |
printing ink on paper |
