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Copper plate for 'Southampton, Village and Pond with Cows' |
Mary Nimmo Moran |
American |
19.70 |
copper |
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Print A: The Gate of Venice |
Thomas Moran |
American |
14.446a |
printing ink on paper |
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Print B: Where through the Willows Creaking Loud, Is Heard the Busy Mill |
Mary Nimmo Moran |
American |
14.117b |
brown printing ink on paper |
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Print B: The Gate of Venice |
Thomas Moran |
American |
14.446b |
brown printing ink on paper |
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Print C: Where through the Willows Creaking Loud, Is Heard the Busy Mill |
Mary Nimmo Moran |
American |
14.117c |
brown printing ink on paper |
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Print C: The Gate of Venice |
Thomas Moran |
American |
14.446c |
brown printing ink on paper |
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Print D: Where through the Willows Creaking Loud, Is Heard the Busy Mill |
Mary Nimmo Moran |
American |
14.117d |
printing ink on paper |
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Out of the Silence |
George de Forest Brush |
American |
01.2256 |
oil on board |
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Margate |
Thomas Moran |
American |
02.800 |
graphite and wash on paper |
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Attack on the Water Witch by the Paraguay Fort Itapira |
Edward Meyer Kern |
American |
02.750 |
pencil and wash on paper |
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Effect of Rain Clouds on the Lake |
Alfred Jacob Miller |
American |
01.746 |
oil on board |
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Night Gigging |
Joseph Henry Sharp |
American |
01.330 |
oil on canvas |
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Print E: The Castle of San Juan de Ulúa, Veracruz, Mexico |
Thomas Moran |
American |
14.436e |
printing ink on paper |
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Print O: Communipaw, N.J. |
Thomas Moran |
American |
14.430o |
printing ink on paper |
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Print F: The Castle of San Juan de Ulúa, Veracruz, Mexico |
Thomas Moran |
American |
14.436f |
printing ink on paper |
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Print D: The Rainbow |
Thomas Moran |
American |
14.414d |
printing ink on paper |
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Print B: Port Madoc - Wales |
Thomas Moran |
American |
14.404b |
printing ink on paper |
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Print B: The Rainbow |
Thomas Moran |
American |
14.414b |
printing ink on paper |
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Print E: The Rainbow |
Thomas Moran |
American |
14.414e |
printing ink on paper |
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Print D: Port Madoc - Wales |
Thomas Moran |
American |
14.404d |
printing ink on paper |