 |
Stickball Player |
Lee Joshua, Joe D. Meeks |
Native American; Muscogee (Creek) |
02.2046 |
graphite and tempera on mat board |
 |
Cheyenne Warrior |
W. Richard West |
Native American; Southern Cheyenne |
02.1672 |
tempera on paper |
 |
On Market Day |
Quincy Tahoma |
Native American; Navajo (Diné) |
02.350 |
tempera on board |
 |
Better than Bacon |
Charles Marion Russell |
American |
02.1318 |
watercolor on paperboard |
 |
Beaded leather moccasins with copper cones and cuffs |
Unidentified |
Native American; Kiowa |
84.361a-b |
semi-tanned hide, commercially tanned leather, glass, copper alloy, cotton thread, red pigment |
 |
First Mesa |
William Robinson Leigh |
American |
01.111 |
oil on canvas board |
 |
Six Kickapoo Indians |
Ágoston Schoefft |
Hungarian |
01.1527 |
oil on canvas |
 |
Mother and Child |
Woodrow Wilson Crumbo |
Native American; Citizen Potawatomi |
02.475 |
tempera on paper |
 |
Estampas del Popol-Vuh: Plate 4 |
Carlos Mérida, Talleres Graficos de la Nacion, Graphic Art Publications |
Guatemalan |
17.6.5 |
color lithograph on paper |
 |
Navajo Shepherdess |
Harrison Begay |
Native American; Navajo (Diné) |
02.499 |
tempera on paper |
 |
Girl's beaded leather hightop moccasins with glass and metal beads, pigment along the sides, and fringe around the cuff |
Unidentified |
Native American; Kiowa |
84.444a-b |
hide, glass, metal, pigment |
 |
Twilight after Rousseau |
Thomas Moran |
American |
14.922 |
printing ink on paper |
 |
Peyote fan with colorful feathers and sterling silver ornaments |
Joe Rush |
Native American; Ponca |
84.218 |
silver, hide, glass, feather |
 |
In the Grand Canon at Yellowstone, Wyoming Territory. U.S.A. |
Thomas Moran |
American |
02.1619 |
watercolor on paper |
 |
Owner (P G C) |
Olaf Carl Seltzer |
American |
02.1243a-b |
watercolor on paper; matboard |
 |
Prayer to the Sun |
Parker Boyiddle Jr. |
Native American; Kiowa, Delaware |
01.2505 |
acrylic on canvas |
 |
Near Feltville, N.J. |
Thomas Moran |
American |
02.789 |
graphite and wash with white gouache on paper |
 |
When Guns Were Their Passports |
Charles Marion Russell |
American |
01.912 |
oil on canvas |
 |
Beaded leather gun case |
Unidentified |
Native American; Cheyenne |
84.748 |
hide, glass, wool (stroud cloth) |
 |
Liverpool |
Thomas Moran |
American |
13.890 |
graphite on paper |
